Magical Realism films as a resistance device: Cultivating a Space for Marginalized Narratives

Abstract

This research paper aims to highlight the utility of magical realism films as a resistance device for marginalized communities to reclaim their narratives. The historical timeline of magical realism as a genre is traced to recognize its evolution as a distinct school in contemporary independent cinema. In order to establish the magical realism film as an ideal medium for the propagation of revolutionary narratives from socially ostracized and oppressed communities, a film analysis has been conducted. The objectives of this paper include identifying the magical realist elements in Apichatpong Weerasethakul’s 2015 film “Cemetery of Splendor”, exploring the scope of representation provided to marginalized identities through these elements and explaining how magical realism films allow space for subjects that need to be approached indirectly though highly coercive metaphorical devices.

The study has been able to find substantial evidence for the connection between magical realism and narratives of resistance. It has also been able to prove to a great extent that the hybrid nature and immersive quality of the cinematic medium enhances both the realist and the fantastic element in magical realism. The medium aids the conviction in the genre’s imaginative tools, maintaining the objectivity essential for the acceptance of unconventional narratives. The findings of this research can be applied to further research into resistance art. The growth of radical thought in independent cinema and the role of symbolic justice as a gateway to practical empowerment must be studied to provide proper representation to the alienated margins of society.